As promised, here’s the conclusion to my essential music of 2007. Click on the links for the artists’ websites and to get a taste of their respective sounds. Given that this is the top ten part, I’ll flip the script from yesterday and do the countdown in reverse. Starting with numero 10…

10. John Reuben - Word Of Mouth
Now this is one album that I never expected to be in my top ten, let alone in the top list of my year. Don’t get me wrong…I had heard a little of John Reuben before this record and his stuff was catchy enough. But this bad boy came out of nowhere. Yes he’s a white hip-hop artist firmly planted in the Christian music industry, and yes usually that would be enough to sink just about anyone, but this album is the happy exception that proves the rule. Sporting a fun, Beck-influenced vibe, Word Of Mouth is catchy, funny, and chockful of both beats and knowledge. Reuben holds up a magnifying glass to just about everything: himself, rap, the music industry, Christians, you name it. I had the pleasure of meeting and interview John last spring in Nashville and he’s a very funny and approachable guy. He should be getting a lot more press for his art. This is, without a doubt, a huge step forward for him and I hope that people are paying attention.

9. Zozobra - Harmonic Tremors
Holy Crap. If ever there were a contest for “most appropriate record title,” this one would take the cake. Slam-packed with some of the lowest-end heaviness I have ever heard, Zozobra provides one intense listen from start to finish on this debut. Churning guitars, gut-rumbling bass, pounding drums and throaty yells to top it off, this just might be the perfect soundtrack to whenever the moon turns to blood and the world comes to an end. I originally picked this up due to the connection to Cave In (bassist/vocalist Caleb Scofield) and I’m glad I did. While there are definitely similarities to Cave In’s sound, Zozobra is much more brutal (at least compared to Cave In’s latter output). At any rate, it’s good stuff. Highly recommended.

8. Enter Shikari - Take To The Skies
I have a buddy at work who loves and adores techno. With equal abandon, he also abhors alternative music. It’s “slow, dark, and depressing” in his words. So imagine my shock when I shared this Enter Shikari album with him and he ended up loving it. Of course, it probably helps that these British boys meld techno, electronica, punk, and hardcore in a way that I’ve never heard before. While not a perfect record, it is a ton of fun. There’s a reckless abandon to the way in which they smash genres and it makes for a blast of a ride. Check it out if you want a good jolt to your system.

7. Project 86 - Rival Factions
I’m a relatively new convert to the ways of Project 86. I didn’t get into their music until their third album, but once I fell for their sound, I fell hard. Andrew Schwab is one heck of a lyricist (and a pretty funny writer, as well) and I really dig the band’s take on the whole hardcore genre. This album finds them pushing the boundaries of their own sound even further, to the point that some fans decried the lack of heavier material. But I think it’s a terrifically creative work, with a great feel throughout. It’s heavy, fun, and moody, at varying turns. Definitely take a listen. Oh and additional kudos to P86 for also putting out The Kane Mutiny EP this year, a nice little companion piece to this album released on iTunes recently.

6. UNKLE - War Stories
In some ways, this was the year of UNKLE in the Jehu record collection. I picked this album up in NYC, after hearing that it featured some collaborations with Josh Homme (actually, it might have been his year too, but more on that later). I’ve only recently gotten into more beat-heavy, electronica-based music, but UNKLE is some of the best I’ve found so far. The ironic thing about this record is that it also features a heavy rock influence as well, so there’s a cool vibe to the whole affair. Very atmospheric and very recommended.

5. Neon Horse - s/t
Oh Tooth and Nail. You love your mystery bands, don’t you? First Demon Hunter, now Neon Horse. Of course, if you’ve been following Neon Horse at all this year, the biggest speculation concerning the band, you know that the two names tossed around the most are Mark Salomon (Stavesacre) and Jason Martin (Starflyer 59). At this point, the speculations is basically confirmed fact. Not that it would really make a difference one way or another…the music here is topnotch. A mixture of 70s and 80s garage rock and synthy effects, this record is catchy to the core. There seemed to be a lot of hype leading up to the release of this debut, but not a whole lot of noise afterwards. Thankfully they’ve already put a new demo up on their MySpace, so hopefully the relative silence is an indication of more music to come, not less.

4. Foo Fighters - Echoes, Silence, Patience & Grace
There’s really not much that I need to say about this puppy. If you don’t know anything about the Foo Fighters, then there’s not much hope for you at this point. If you do, then you know that they’re one of the best rock bands around, period. This record is a fantastic addition to their discography. I don’t know where it will fall against the rest of their work, but there are some songs here that are as good as anything they’ve ever done. They’ve perfected the hard rock/acoustic mixture that they used two discs for on their last album, and it’s a great amalgam. I hope Dave, Nate, Chris, and Taylor (along with whoever else they bring on tour next time) keep making music for a long time to come.

3. Maylene And The Sons Of Disaster - II
Yeehaw!!! I loved the first album from Maylene and the Sons of Disaster and hot damn, their sophomore effort didn’t disappoint either. This is one kickass record, from start to finish. In keeping with the concept of their debut, this one continues the story of Ma Barker and her boys. It’s all about divine justice and retribution here folks, served up in the tasty Southern-fried hardcore that Dallas Taylor and co. specialize in. There’s hot licks and sweet riffs aplenty here. So sidle on up and have a heapin’ spoonful of one of the South’s finest.

2. Thrice - The Alchemy Index, Vols. 1 & 2
Well, here we are. The final two. It was a really tough call between this album and the number one pick. In the final tally, it really came down to a technicality. If this project from Thrice had been released in its entirety (Vols. 1-4) at the same time, then chances are very good that this would have been tops for 2007. But as it is, I’ll have to defer final judgment until Vols. 3 & 4 are released in April. But enough about that. Vols. 1 & 2 are certainly rich enough to discuss now. Thrice (along with Foo Fighters and Queens Of The Stone Age) is one of my top favorite groups of all time. Their creativity and innovation continually inspires and frustrates me. This current project is a huge concept, based around the four elements (in case the title didn’t give it away). They wrote, record, mixed, and produced everything on these two EPs and they did a phenomenal job of it. The first volume features six tracks based on Fire and the second is centered on Water. Both demonstrate growth and development, albeit in different ways. The Fire EP is heavy, like traditional Thrice, but they took the heaviness in a direction more akin to Pelican or Isis. It’s denser and multi-layered. As for the Water EP, it is very atmospheric and electronica-influenced. Each EP is perfectly aligned with its respective concept and thus far, it’s a flawless record. Now if only April would hurry up and get here…

1. Queens Of The Stone Age - Era Vulgaris
And so we come to the end of it. The final, big boy of them all. Queens Of The Stone Age has quickly become one of the most influential bands on my music, both how I play and what I listen to. Josh Homme (the mastermind behind QOTSA) manages to create music that is both rockin’ and moody. Each Queens album has its own feel and atmosphere. Era Vulgaris is like one unhinged amusement park, each tune a new demented ride with lots of fun for the taking. It’s hard to put into words just what a great record this is. In day and age of picking and choosing individual songs on iTunes and singles becoming more and more the name of the game, Queens manage to create albums that have to be listened to in their entirety to fully enjoy and appreciate them. Oh and that comment I made earlier about this possibly being Homme’s year? It probably should be. Along with this slab of greatness, he contributed to three other albums, along with the usual touring and such. There’s also a wealth of b-sides to be found associated with this record, basically equaling another full disc of goodies. Basically, it’s the gift that keeps on giving. Check it out. You won’t be disappointed.
And there you have it. 2007 in music. I’ll miss you. You were so good to me. Next week…the movies of 2007. Stay tuned!